Lion takes pride in its real life roots.

A fascinating and compelling true story of survival and serendipity, “Lion” delivers the best cinematic advert for Google since “The Internship”.

Finding himself utterly lost after accidentally falling asleep on an out of service cross country train, five year old Saroo finds himself alone on the streets of 1980s Calcutta. Eventually he is taken in by an orphanage and, unable to identify his home, he is adopted by an Australian family and taken overseas. Once grown, however, Saroo is haunted by the memory of the family he left behind.

It’s become something of a cliché to point out how much of the modern technology we take for granted – especially the internet or smart phones – would render the plots of most of our favourite movies redundant so it’s refreshing to have a story where the presence of technology is not only a benefit to the story but integral to its success. Were it not true, the importance of Google Earth in helping Saroo find his childhood village would seem a little twee but Director Garth Davis keeps the drama sincere and grounded to counteract the lucky coincidences necessary to the tale. The stark, almost Dickensian contradictions of modern day India are brought into sharp relief as the film deftly intertwines Saroo’s present day search with his reminiscences of the months spent homeless and alone, although the script takes care to stay doggedly focused on the personal story and stakes, leaving the larger moral and social themes raised in the background.

Dev Patel delivers a fine performance, acutely realising Saroo’s increasingly toxic cocktail of survivor’s and liberal guilt as he pushes his adoptive family away and isolates himself with his laptop to continue his obsessive search. There are great supporting performances from the likes of Nicole Kidman and Rooney Mara but the real revelation is Sunny Pawar, the young Indian actor who plays young Saroo. With a performance that rivals that of Jacob Tremblay’s astonishing breakthrough in “Room”, Patel may give the film its drama but it’s through Pawar it gets its heart.

Moving, uplifting and powerfully bittersweet in its denouement, “Lion” succeeds as a biopic and a story of the importance and power of family.

lion review
Score 8/10


Hi there! If you enjoyed this post, why not sign up to get new posts sent straight to your inbox?

Sign up to receive a weekly digest of The Craggus' latest posts.

We don’t spam! Read our privacy policy for more info.

logo

Related posts

Apt Pupil (1998) Review

Apt Pupil (1998) Review

How did we nazi it coming? The real horror of Apt Pupil might be the idea of Bryan Singer directing a movie about an older man grooming and manipulating a young boy, but aside from that it has no ghosts, ghouls or telekinetic outbursts, yet it may be one of Stephen King's most...

Mega Shark vs Mecha Shark (2014) Review

Mega Shark vs Mecha Shark (2014) Review

Mega Shark vs Mecha Shark has a licence Teal'c kill Previously, on “Mega Shark vs...”, our fishy anti-hero and his reptilian rival were poached to death by an underwater volcano, and it would appear that was indeed that. But fear not, a drought in the Mediterranean has prompted an...

12 To The Moon (1960) Review

12 To The Moon (1960) Review

The derpy dozen head into space in hokey sci-fi B-movie 12 To The Moon “12 To The Moon” is a bad movie. Like, really bad. As if someone set out to make the worst movie they possibly could and really excelled themselves bad. This 1960 Z-grade sci-fi thriller tells the story...

Flow (2025) Review

Flow (2025) Review

Flow: the Oscar®-winning cat's miaow. A black cat perched atop a rapidly submerging statue of itself might sound like a heavy-handed metaphor for feline solipsism, but Flow infuses the moment with a melancholy poignancy as the water continues rising and the last vestiges of the...

Star Trek: Deep Space Nine Season Four Review

Star Trek: Deep Space Nine Season Four Review

Beset by enemies without and fearful of the enemies within, paranoia reigns in Star Trek: Deep Space Nine Season Four 25 years ago, on 3rd January 1993, “Star Trek: Deep Space Nine” made its TV debut in America. It wouldn’t reach UK TV screens until 22nd August later that year. To...

John Wick Chapter 3: Parabellum (2019) Review

John Wick Chapter 3: Parabellum (2019) Review

John Wick Chapter 3: Parabellum is the Ming vase of action cinema Elevating high concept to dizzying new heights, director Chad Stahelski returns us to the world of John Wick exactly where he left us last time: having broken the assassins’ creed, Wick (Keanu Reeves) faces...