As the sole animated offering heading into half term, Smallfoot has some big shoes to fill.

For my money, the definitive filmed adaptation of the legendary Yeti is The Goodies’ episode “Big Foot” but “Smallfoot”, a tale of a tribe of Yetis living in secret on a Himalyan mountaintop might just come a close second (Wampas don’t count).

Migo (Channing Tatum) is happy living in his village where all Yetis live under the guidance of the Stonekeeper (Common), the keeper of Yeti traditions and laws. He’s apprenticed to his father Dorgle, who has the sacred duty of ringing the gong each morning to make the sun rise, a task he proudly accomplishes by use of a giant catapult, an enormous gong and his stone-helmeted head. When the time comes for Migo to try his hand at summoning the great glowing sky snail, he’s distracted by the sight of the Stonekeeper’s daughter Meechee (Zendaya) and misses the gong, landing on the snow-covered mountainside. As he is about to make his way back to the village, he encounters a human who has survived a plane crash. Although the human escapes, Migo runs back to the village to tell of what he saw but Yeti law is clear: humans do not exist and so the Stonekeeper banishes Migo from the village. Determined to prove his innocence, Migo sets out to capture a ‘Small Foot’.

Warner Brothers’ latest venture into the animated feature arena is a breezy and bright retelling of the Renaissance as the forces of Yeti orthodoxy struggle to suppress the truth from getting out, with a dash of reiterating the environmental impact of human colonisation. Not that it’s in any way remotely heavy or downbeat, except perhaps during the Stonekeeper’s doom-laden musical historical lecture. The rest of the film is content to indulge in snow-bound slapstick which is sure to delight the target audience for this frosty fun fest. The kids in the audience I saw it with – including my own – laughed hard and laughed often at the antics on screen and I chuckled a fair bit too.

The character design is delightful, even if one or two of the characters were clearly designed with their digital artist’s showreel in mind. Both the small details – like the variously textured yeti fur – and the larger world-building background antics of the Yeti colony are packed with clever little touches designed to reward repeated viewing. There are a few musical numbers too, even if they’re the aural equivalent of ice sculptures: pretty enough to look at/ listen too but prone to melting away without a trace after they’re no longer needed.

The voice cast is good value too, with Tatum and Zendaya especially giving their fursonas plenty of character without ever going over the top. In what must have been a stretch for him, James Corden voices a cynically shameless tv presenter who will sacrifice his dignity, integrity and morality in the desperate quest for ratings and attention. But even he gets caught up in the good-natured goofballery of the plot and, refreshingly, there’s no actual bad guy; the villains of the piece are ignorance and fear.

Leading the charge into the forthcoming half-term holidays, “Smallfoot” is great fun for the kids and no chore at all for the parents: a definite win-win.

smallfoot review
Score 7/10


Hi there! If you enjoyed this post, why not sign up to get new posts sent straight to your inbox?

Sign up to receive a weekly digest of The Craggus' latest posts.

We don’t spam! Read our privacy policy for more info.

logo

Related posts

Spookies (1986) Review

Spookies (1986) Review

Good God, Spookies is hard work. It’s the cinematic equivalent of a Frankenstein monster, stitched together from the remains of two (possibly three) different films—or at least it feels that way—even though we know better. Directed by Genie Joseph, Thomas Doran, and Brendan...

Mars Attacks! (1997) Review

Mars Attacks! (1997) Review

If you're looking for anarchic alien antics, Mars Attacks! is the Topps. Goofy, macabre and deliciously, satirically silly, “Mars Attacks!” sees Tim Burton indulge his inner Irwin Allen and go full Seventies disaster movie, channelling Ed Wood and nodding to Stanley Kubrick as he does...

Terrifier 3 (2024) Review

Terrifier 3 (2024) Review

Terrifier 3 decks the halls with bowels and folly. Whatever else Terrifier 3 is, it’s a personal triumph for Art the Clown and his creator Damien Leone. What began as a low-budget cult sensation has transformed into a full-blown franchise as Art the Clown’s rise from underground horror...

Widows (2018) Review

Widows (2018) Review

Widows is the movie Ocean’s 8 wants to be when it grows up. With the pedigree of talent behind and in front of the camera, you’d be forgiven for expecting “Widows” to be something very special. And you’d be right, too. Director Steve McQueen, sharing screenwriting duties with Gillian...

Tom & Jerry (2021) Review

Tom & Jerry (2021) Review

Tom & Jerry is a disappointingly soggy cinematic fur ball. Directed by Tim Story – who, like it or not, has directed the best FANTASTIC FOUR movies to date – TOM & JERRY sees Warner Brothers take yet another stab at trying to launch the iconic cat and mouse duo to feature-length...

Late Night With The Devil (2024) Review

Late Night With The Devil (2024) Review

Don't touch that dial - your soul depends on it! There’s no shortage of iconic nightmare talk show guests in the history of television. From Grace Jones’ slap-happy encounter with Russell Harty to Oliver Reed’s intoxicating (and intoxicated) appearance on Wogan to consummate...

The BFG (2016) Review

The BFG (2016) Review

The BFG is a scrumdiddlyumptious too-good-for-summer treat. Shining like the most gloriumptious bottled dream, “The BFG” bestrides the lacklustre summer blockbuster season like a magical Colossus of Rhodes. A welcome big-screen return for the wonderful imagination of Roald Dahl and...

The Secret Garden (2020) Review

The Secret Garden (2020) Review

The Secret Garden puts a chilly stiff-upper-lip spin on an old classic. There a sumptuous promise to this latest interpretation of Frances Hodgson Burnett’s 1911 novel “The Secret Garden”, bolstered by the handsome locations, that never quite feels fulfilled. Looks great, solid cast but...