Yesterday will make all your troubles seem so far away for a couple of hours at most.

Reassuringly hagiographic for baby boomer Beatles fans, Richard Curtis’ latest rom-com is a slight musical fantasy that succeeds thanks to the warmth and likeability of its leads.

Jack Malik (Himesh Patel) is a struggling musician who’s just about ready to call time on his ambitions when he’s involved in an accident during a mysterious worldwide blackout. When he wakes up, he realises he’s the only person in the world who remembers The Beatles.

For a film so sycophantically reverent of The Beatles (it relies entirely on the idea that even a snippet of one of their songs will instantly be hailed as genius by anyone who’s never heard it before) and their impact on popular culture, it makes it abundantly apparent that the world has carried on quite nicely without them to no discernible effect. Well, that’s not true – there is one recurring gag at the expense of the Gallagher brothers although it’s a gag that also undoes the movie’s central premise.

Richard Curtis’ script is his usual blend of wit and whimsy but, outside of central pairing of Jack and Ellie (Lily James), the characters feel lifted straight from his supply of stock characters he’s used since “Four Weddings And A Funeral”. However you feel about Ed Sheeran’s music, you’ll likely be fonder of it than his acting but Himesh Patel (who does his own singing and plays his own instruments) is wonderfully charismatic and Lily James – as she did in “Mamma Mia! Here We Go Again!” – proves she can elevate even the thinnest material with her effervescent presence.

“Yesterday” is a perfectly pleasant way to pass the time but I doubt it will take a global power outage and being hit by a bus to make this film forgettable.

Score 6/10
logo

Related posts

Interstellar (2014) Review

Interstellar (2014) Review

My god, it's full of its own sense of self-importance. Mark the date. We may just have reached peak Nolan. "Interstellar" simultaneously represents the most triumphant aspects of the auteur's style as well as his follies. There's breath-taking ambition, scintillating scientific thoughts...

Glass Onion (2022) Review

Glass Onion (2022) Review

Benoit Blanc finds himself among the affluent, the influent and the effluent. Rian Johnson returns to the world of Benoit Blanc with Glass Onion: A Knives Out Mystery, a sequel that sharpens its blade and slices even deeper into the absurdities of wealth, power, and privilege. Trading...

Nailed It! Season Two

Nailed It! Season Two

Ya done it! Nailed It! is back for a second season. Back in 1989, Kylie Minogue released a single from “Enjoy Yourself”, her second studio album, called "Wouldn't Change A Thing". It perfectly encapsulates how I felt when I learned "Nailed It" was coming back for a second season: If I...

Host (2020) Review

Host (2020) Review

Host gives techno-horror a short, sharply-observed shock. As the pandemic lockdown has made most of us aware, there’s really nothing to compare with the mind-numbing terror and terrifyingly mind-numbing experience of a Zoom meeting so it’s little wonder that it would become the setting...

Songbird (2020) Review

Songbird (2020) Review

In capturing the experiential tedium of a prolonged COVID lockdown, Songbird is a metatextual triumph. “Songbird”, arriving on the small screens with undue haste which, in turn, deserves its absence from the shuttered cinemas it mocks, is so blandly mediocre it would barely merit comment...

The Man With The Golden Gun (1974) Review

The Man With The Golden Gun (1974) Review

The Man With The Golden Gun fires blanks Encouraged by the success of “Live And Let Die” and the public’s embracing of Roger Moore’s take on 007, United Artists were keen to keep up the momentum and pressed Cubby Broccoli and Harry Saltzman to fast track the next Bond movie...