Disney+’s latest Marvel series finds itself bang on target

Marvel’s Hawkeye soars onto Disney+ with the grace of a perfectly shot arrow, landing squarely in the bullseye of New York at Christmastime. Jeremy Renner, as the weary yet unerringly dutiful Clint Barton, yearns for a quiet holiday with his family, a hope dashed by the arrival of Hailee Steinfeld’s Kate Bishop, a young archer whose idolisation of Hawkeye pulls her into a web of danger and intrigue. Offering a unique blend of festive cheer, action, and character-driven storytelling gives Hawkeye a welcome expansion to the Marvel Cinematic Universe.

Clint’s plans for a peaceful Christmas are interrupted when Kate, stumbling into trouble with the remnants of his past as Ronin, forces him back into the fray. Their partnership, reluctant at first, evolves against a backdrop of a bustling, holiday-adorned New York City, rich with danger. Steinfeld’s Kate Bishop is an absolute delight, her youthful exuberance and fierce independence bringing a fresh dynamic to the series. Her chemistry with Renner is terrific, sparking both comedic and poignant moments that drive the narrative forward with the momentum of a snowball rolling down a steep hill.

The series opens with a charming introduction to Kate, whose childhood encounter with Hawkeye during the Battle of New York inspires her to take up archery. This sets the stage for their eventual meeting, as Kate stumbles upon a black market auction gone wrong, leading her to don the Ronin suit and draw unwanted attention. Clint, discovering his past is haunting him once more, steps in to help Kate, and thus inadvertently beginning their adventure.

As the episodes unfold, their partnership deepens. They face off against the bumbling but dangerous Tracksuit Mafia, led by the enigmatic Maya Lopez (Alaqua Cox). Episode three, “Echoes,” is particularly notable for its thrilling car chase and deeper exploration of Maya’s backstory, adding layers to the narrative. The festive backdrop of Christmas in New York provides a unique, light-hearted charm, juxtaposing the series’ more intense moments.

The middle episodes dive into the heart of the series, with Clint and Kate’s dynamic growing more nuanced. Episode four, “Partners, Am I Right?” solidifies their partnership, blending action, humour, and touching moments that showcase their evolving mentor-mentee relationship. Renner’s portrayal of Clint is grounded, capturing a hero who’s weary from battles but unwavering in his duty to protect his loved ones. His interactions with Steinfeld’s Kate, who brings a spark of youthful energy and determination, create a compelling and heartwarming dynamic.

Florence Pugh’s return as Yelena Belova injects a potent shot of grief-driven vengeance into the storyline, her interactions with Steinfeld’s Kate crackling with tension and unexpected camaraderie. The addition of Vincent D’Onofrio’s Kingpin, while highly anticipated, has divided fans. In Daredevil, Kingpin was a multifaceted villain, menacing and deeply complex. Here, some feel his portrayal is less intimidating, a shadow of the terror he once was. Yet, this shift in tone suits the series’ lighter, more festive atmosphere, even if it risks creating a sense of disconnect from his previous appearances.

Episode five, “Ronin,” brings an emotional confrontation, delving into Clint’s dark past and the repercussions of his actions during the Blip. The weight of his guilt and resolve is palpable, adding depth to his character. This episode is a turning point, highlighting the emotional stakes and setting the stage for the climactic finale. The final episode, “So This Is Christmas?”, pulls out all the stops with high-stakes action, a showdown with Kingpin, and emotional payoffs that wrap up the series while leaving the door open for future adventures.

The series excels in its character development and festive charm, crafting a story that feels both intimate and expansive. Renner’s portrayal of Clint Barton is grounded and relatable, a hero weary of battle but unwavering in his duty to protect his loved ones. Steinfeld brings an adorably dynamic spark to Kate Bishop, her performance a blend of wide-eyed wonder and steely determination. Their reluctant mentor/ eager mentee bond is the heart of the series, providing a perfect foil to the high-stakes action that surrounds them.

Hawkeye carves out a niche among Marvel’s Disney+ offerings by embracing the holiday spirit without losing the edge of superhero drama. It may not reach the experimental heights of WandaVision or the cosmic implications of Loki, but its grounded storytelling and character-driven narrative map out a distinct space in the Marvel universe. The series is a delightful mix of holiday cheer and superhero action, a festive treat that feels like unwrapping a long-awaited present on Christmas morning.

Hawkeye hits its target, delivering a series that’s both fun and emotionally resonant. With strong performances from Renner, Steinfeld, and Pugh, the show crafts an engaging narrative that balances action, humour, and depth. As the credits roll and the festive lights of New York twinkle in the background, we are left eager for the next chapter in their stories.

Score 8/10
logo

Related posts

The Little Death (2015) Review

The Little Death (2015) Review

The Little Death explores the ins and outs of sex. Trigger warnings abound in "The Little Death", Josh Lawson’s frank, taboo-breaking but surprisingly sweet directorial debut as he charts the ups and downs of the love lives of a select group of suburban couples. The five loosely...

Treehouse Of Horror XVII

Treehouse Of Horror XVII

Treehouse of Horror XVII starts promisingly enough with a winding trip to Mr Burns' crypt where he emerges as an ersatz Crypt Keeper but it all goes off the rails when the characters start bickering with each other or - worse - they start commenting on or explaining why the visual gags...

Star Trek Generations (1994) Review

Star Trek Generations (1994) Review

"They say time is the fire in which we burn…" The original series of “Star Trek” lasted for only 79 episodes and by the time it returned to the big screen there hadn’t been any new live-action adventures for Kirk and Co for ten years. The intervening years had seen massive...

DC League Of Super-Pets (2022) Review

DC League Of Super-Pets (2022) Review

Who let the Super-Dogs out? In a world dominated by caped crusaders and maniacal villains, sometimes it takes a pack of paw-some pets to save the day. But does DC League of Super-Pets really have the bite to match its bark, or is just DC's answer to a question nobody asked about...

The Stuff (1985) Review

The Stuff (1985) Review

The Stuff is young, dumb and full of…disappointment. Larry Cohen’s heavy-handed consumer satire has long held a quasi-mythical place in my movie subconscious. Although I never got around to watching THE STUFF in the late eighties/ early nineties when I was going through my horror...

The Maze Runner (2014) Review

The Maze Runner (2014) Review

Will The Maze Runner leave you a-maze-d or just glade it's finished? Adapted from James Dashner’s bestselling Young Adult Novel, “The Maze Runner” fares far better than the rest of the recent crop of YA movies thanks to an appealing cast and script which exploits the full range of...

The Devil’s Advocate (1997) Review

The Devil's Advocate (1997) Review

The Devil's in the details, so always check the small print. The Devil’s Advocate is a film that straddles the line between legal thriller and supernatural horror with devilish glee, offering a compelling, stylish, and surprisingly thought-provoking ride. At the heart of this Faustian...

Dracula AD 1972 (1972) Review

Dracula AD 1972 (1972) Review

The Prince of Darkness in the Age of Disco! After being shot, stabbed, electrocuted by lightning, set on fire and thrown off a cliff, Dracula apparently got better because we now return to an exciting horse-drawn carriage chase already in progress. The year is 1872 and we’re a hundred...