Roll Up, Roll Up! It’s a Big Top Big Teeth carnival!

If you’ve ever thought, “What Hammer horror really needs is more circus clowns and a whole lot of vampiric carnies,” then Vampire Circus is here to make all your twisted dreams come true. This 1972 slice of Hammer weirdness throws a bunch of vampires into a travelling circus, sprinkles in a plague, and then shakes it all up with some truly bizarre performances. It’s like someone dared Hammer to get as bonkers as possible, and they accepted without hesitation.

We kick things off in classic Hammer fashion, with a small European village under siege by Count Mitterhaus, a vampire who’s been snacking on the locals (as you do). But, surprise! The villagers actually grow a spine for once and decide to take matters into their own hands by staking him. Before he dies (again), Mitterhaus curses them all, vowing that their children will suffer, yadda yadda, and that’s when things get freaky.

Fast-forward 15 years, and what do you know? A mysterious circus rolls into town just as a plague is ravaging the place. But this isn’t your average circus—it’s the Vampire Circus, baby! The performers aren’t just about acrobatics and juggling; they’re here to fulfil that good ol’ curse and feast on some village kids. You’ve got animal shapeshifters, mirror vampires, and a strongman who definitely doesn’t skip leg day, all working together to finish what Mitterhaus started.

The circus acts are gloriously strange. You’ve got snake dancers, panther transformations, and a creepy harlequin duo that’ll haunt your dreams more than any fanged villain. It’s like the vampires thought, “Why settle for a crypt when you can terrorise people with some flair?” And that’s really the charm of Vampire Circus—it’s absolutely committed to its wacky premise, for better or worse.

The performances are a mixed bag, but there are a few standouts worth mentioning. Adrienne Corri (yep, the same one who gave us chills in A Clockwork Orange) plays the enigmatic gypsy woman who runs the circus. Corri chews through the scenery like she’s at an all-you-can-eat buffet, and honestly, it’s the kind of over-the-top performance this film needs. Then there’s Anthony Higgins (credited as Anthony Corlan), who plays Emil, the panther-vampire. He’s got that perfect mix of charming and menacing, even when he’s transforming into big cats and biting necks.

And don’t miss Lalla Ward, who pops up here long before her Doctor Who days. She plays one of the vampires, and though it’s a smaller role, her ethereal presence adds a touch of elegance to the chaos. Watching her in this weird, bloodsucking carnival is like spotting a future sci-fi star in training, fangs and all – speaking of which, keep an eye out as well for David Prowse as, what else, the circus strongman.

Visually, Vampire Circus is peak Hammer: lurid colours, foggy forests, and enough candles to light up a cathedral. The circus setting gives the film a unique vibe, blending the macabre with the carnivalesque in a way that shouldn’t work but somehow does. There’s a twisted playfulness to the whole thing, like it knows how absurd it is and dares you not to have fun with it.

Where Vampire Circus really excels is in its sheer audacity. Hammer was always good at pushing boundaries, but this one feels like they threw everything at the wall to see what would stick. There’s blood, there’s weirdness, and there’s a tiger-to-vampire transformation that will leave you scratching your head long after the credits roll. Does it always make sense? Not remotely. Is it entertaining? Absolutely.

Sure, it’s not without its flaws. The pacing is all over the place, and some of the characters (like the villagers) are basically there to be cannon fodder for the vampires. But Vampire Circus knows exactly what it is: a bizarre, campy horror flick that’s here to give you a good time. If you’re looking for deep character development or intricate plotting, you’ve wandered into the wrong tent. But if you’re here for vampire carnies, cursed villages, and a whole lot of weirdness, then step right up—Vampire Circus has you covered.

vampire circus review
score 6/10


Hi there! If you enjoyed this post, why not sign up to get new posts sent straight to your inbox?

Sign up to receive a weekly digest of The Craggus' latest posts.

We don’t spam! Read our privacy policy for more info.

logo

Related posts

Final Destination 2 (2003) Review

Final Destination 2 (2003) Review

Death takes a road trip. Metal against metal. Screeching tyres, panicked swerving, the soft percussion of coffee cups flying across dashboards – and then the log hits. It doesn’t just crash through the windshield; it detonates a popular cultural bomb and changes traffic behaviour for a...

Doctor Who: The Pyramid At The End Of The World Review

Doctor Who: The Pyramid At The End Of The World Review

The Pyramid At The End Of The World looks impressive but there's precious little treasure inside If, after the thrilling bait-and-switch cliff-hanger of last week’s “Extremis”, you were looking forward the Monks Trilogy’s “Empire Strikes Back”, bad news: you’ve ended up getting...

V For Vendetta (2006) Review

V For Vendetta (2006) Review

V For Vendetta has plenty food for thought for us to remember, remember. Dismissed at the time for going too far in its portrayal of an England fallen to fascist rule, a decade and a half later, where you might be tempted to argue it didn't go far enough. Disowned by a critical...

Such Sweet Sorrow

Such Sweet Sorrow

Star Trek: Discovery reminds us time is the fire in which we Burnham. *SPOILERS* The ultimate artifice of the showrunners is revealed when yet another of the Short Treks is referenced, this time, somewhat disingenuously, as part of the ‘Previously’ montage. It does all point quite...

Sharktopus vs Pteracuda (2014) Review

Sharktopus vs Pteracuda (2014) Review

With apologies to Eminem Sharktopus vs Pteracuda: SyFy movie! Some fun, all gimmicks Two creature ideas go round having fightsRound having fights, round having fightsTwo creature ideas go round having fightsRound having fights, round having fights Guess who's back? Back...

The World Is Not Enough (1999) Review

The World Is Not Enough (1999) Review

Worst. Christmas. Ever. With Brosnan firmly established in the public’s mind as Bond and the franchise now one of the undisputed cinema heavyweights, things were looking good for 007 as the new millennium approached. Taking its title from Bond’s family motto – “The World Is Not...