Light as a snowflake, cute as a button.

Disney’s Noelle offers a predictably fresh spin on Christmas mythology, aiming to bring modern sensibilities and a dash of empowerment to the North Pole. Released on Disney+ in 2019, this holiday comedy is a light, breezy affair anchored by Anna Kendrick’s charm and a generous helping of festive cheer.

The story centres on Noelle Kringle (Kendrick), the spirited daughter of Santa Claus, who has always been content with her supportive role in the family business—cheering on her brother Nick (Bill Hader), the heir to the Santa mantle. But when Nick cracks under the pressure and flees the North Pole just days before Christmas, Noelle is thrust into the spotlight. With the future of Christmas at stake, she embarks on a journey to bring her brother back and discovers that perhaps she’s more suited to the job of Santa than anyone anticipated.

Anna Kendrick shines as Noelle, delivering a performance that blends wide-eyed optimism with comedic timing and heartfelt sincerity. Her chemistry with Bill Hader is endearing, even though Hader’s Nick feels underutilised, leaving much of the film’s emotional weight resting squarely on Kendrick’s shoulders. Shirley MacLaine adds a touch of magic as Noelle’s nanny and sidekick Elf Polly, while Kingsley Ben-Adir’s tech-savvy private investigator Jake grounds the story with a bit of real-world pragmatism.

The film’s fish-out-of-water comedy is its most consistent source of laughs. Noelle’s escapades in modern-day Arizona, where she clashes with malls, yoga classes, and smartphone culture, provide plenty of amusing moments. These scenes also serve as a platform for the film’s more poignant themes about tradition, family, and finding one’s purpose.

Visually, Noelle sparkles with the polished, candy-coated aesthetic typical of Disney’s holiday offerings. The North Pole is a pastel wonderland of snow, sweets, and whimsical inventions, contrasting sharply with the sunny desert landscapes of Noelle’s human-world adventure. The film is undeniably aimed at families, delivering a gentle, feel-good message that’s easy to digest but unlikely to leave a lasting impression. The stakes never feel particularly high, and some plot points—such as Noelle’s self-discovery and Nick’s reluctance to take on the Santa role—are resolved a little too easily.

That said, Noelle succeeds in what it sets out to do: deliver a sweet, wholesome Christmas movie that’s accessible to all ages. It may not reinvent the sleigh, but it offers enough warmth, humour, and holiday spirit to earn a spot in the seasonal viewing rotation. With Kendrick’s lovable performance at its core, Noelle is a festive treat that’s as light and fluffy as a snowflake.

noelle review
score 7/10


Hi there! If you enjoyed this post, why not sign up to get new posts sent straight to your inbox?

Sign up to receive a weekly digest of The Craggus' latest posts.

We don’t spam! Read our privacy policy for more info.

logo

Related posts

Transformers One (2024) Review

Transformers One (2024) Review

Robots sans disguise. Cybertron has a gravity problem, and not just the planetary kind. When Transformers One tries to soar, it finds itself weighed down by the legacy of its ancestors: the neon-noir nobility of the 1986 animated film and the pyrotechnic testosterone opera of Michael...

Shark Attack 3: Megaladon (2002) Review

Shark Attack 3: Megaladon (2002) Review

You've seen the gifs, now suffer the movie! Make no mistake, this is the movie Jason Statham's forthcoming “The Meg” needs to beat. “Shark Attack 3” completely ignores the previous two films (returning cast member Jenny McShane plays a completely different character) and moves the...

Robot And Frank (2013) Review

Robot And Frank (2013) Review

Robot & Frank brings us a new slant on silver surfers “Robot And Frank” is an utterly charming, bittersweet film about themes. Anchored by a masterfully gentle performance by Frank Langella, “Robot And Frank” explores the cruelty of dementia while also exploring the impact...

Doctor Who: The Caretaker Review

Doctor Who: The Caretaker Review

It doesn't matter whether I liked or hated The Caretaker, was it good enough for us? Okay – "The Caretaker", I think, is the episode where I’m going to say Season 8 of “Doctor Who” has clicked, and all the pieces have snapped together in a pleasingly familiar...

Treehouse Of Horror XXV

Treehouse Of Horror XXV

Treehouse Of Horror XXV sees the Simpsons Halloween Special in celebratory and self-congratulatory mood. The titles are announced over a gallery of clips from previous (and as yet unaired Halloween scenes) while a galaxy of announced celebrity guest stars are dismembered to spell out...

Cloud Atlas (2013) Review

Cloud Atlas (2013) Review

You'll need a map to navigate this atlas Reflecting on Cloud Atlas feels like trying to capture the essence of a dream upon waking. The first five minutes are bewildering, a cacophony of scenes and characters that seem to collide and disperse without warning. Yet, this initial...

Venom: The Last Dance (2024) Review

Venom: The Last Dance (2024) Review

Venom: The Last Dance is strictly dumb, chancing its luck. Venom: The Last Dance – a self-declared and self-imposed curtain call for cinema’s favourite symbiote – clearly has its eyes set on delivering a high-stakes, epic finale for Eddie Brock, as he faces off against both earthly foes...

Halloween Ends (2022) Review

Halloween Ends (2022) Review

What better way to kick off 2023's Month Of Spooks than with Halloween Ends? While it’s not unjust to suggest that David Gordon Green’s rebooted HALLOWEEN trilogy rivals the STAR WARS sequel trilogy for poor planning and even worse execution but the saving grace here is that where THE...