Dolittle (2020) does more than you might be expecting…

Almost universally condemned to be a ‘flop’ before it was released, Robert Downey Jr’s passion project ‘Dolittle’ seems to have fallen foul of an adult critical groupthink who, while quick to remonstrate with critics who differ in gender, ethnicity or sexuality who criticise a work ‘not meant for them’, have singularly failed to take into…

The Rhythm Section (2020)…is not my tempo.

I have to hope that when Barbara Broccoli (who produced “The Rhythm Section” along with brother and long-time producing partner Michael G Wilson) advised that she didn’t want to make the character of Bond a woman because she believes she ‘should be creating new characters for women – strong female characters’, she had something better…

The Personal History Of David Copperfield (2020) is a dazzling Dickensian delight.

Colourful, captivating and preposterously delightful, Armando Iannucci’s free-spirited adaptation of the Dickens novel brings a vibrant contemporary energy to the classic metronomic rags to riches to rags to riches tale. Chronicling his turbulent upbringing, the film begins with a quintessentially Dickensian framing device as David Copperfield (Dev Patel) narrates his own life story to a…

Good Omens is a nice and accurate adaptation of the book, but not much more.

“Good Omens”, starting on BBC2 tonight after an exclusive first run on Amazon Prime is a nice and accurate translation of a long-thought unfilmable book to the small screen, but that’s about it. Despite note-perfect casting, decent special effects and the presence of Neil Gaiman himself as showrunner, somehow the series ends up less than…