Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face…

Tomb Raider (2018) Review

There is a criminal offence on the UK statute books, specifically section 35 of the Offences against the Person Act 1861 (subsequently amended by section 1(2) of the Criminal Justice Act 1948) which reads: ‘Whosoever, having the charge of any carriage or vehicle, shall by wanton or furious driving or racing, or other wilful misconduct, or…

The Commuter (2018) Review

Mrs Craggus has a recurring complaint about Liam Neeson, specifically that in many (she says all) of his roles, he just happens to be the exactly skilled person the plot needs. When his daughter is kidnapped, he has that ‘special set of skills’, when his commercial flight is threatened by terrorists, it turns out he’s…

The Hitman’s Bodyguard (2017) Review

Sometimes, all you need to do is get the right cast in front of the camera and let them do their thing. “The Hitman’s Bodyguard” is one of those times. With the trial of notorious war criminal Vladislav Dukhovich (Gary Oldman) desperate for witnesses, the authorities turn to notorious contract killer Darius Kincaid (Samuel L…

King Arthur: Legend Of The Sword (2017) Review

Guy Richie wears his influences on his sleeve in Galfridian geezer romp “King Arthur: Legend Of The Sword”. He’s clearly seen “The Lord Of The Rings”, kept up to date with “Game Of Thrones” and avidly watched BBC TV’s “Merlin”. He’s even found time to take in Queen’s classic “Radio Ga Ga” video. All of…