*SPOILERS* Closer in tone and intent to “Unbreakable” than its immediate predecessor “Split”, “Glass” sees filmmaker M Night Shyamalan returning to the world of comic book super heroics, not to homage or reimagine them, but to deconstruct them - especially their latest cinematic incarnations. With The Beast/ The Horde/ Kevin Wendell Crumb (McAvoy) still on … Continue reading Glass (2019) sets out to shatter the superhero paradigm.
For a year which will surely go down in history for its polarisation, as far as movies went there was a concerted effort to stay centred in an unremarkable consensus of mediocrity, with the average score of the 95 films I watched in the cinema a paltry 6.5/10. 2016 saw 409 movies watched (and rewatched) … Continue reading The 4th Annual Craggus Movie Awards
Yet another director seemingly completing his comeback, “Split” sees M Night Shyamalan building on the momentum of "The Visit" and nearing a return to his best form as he once again explores the boundary between psychological fact and science fiction. When three young girls are kidnapped, it’s just the beginning of their nightmare. Their kidnapper … Continue reading Split (2017) Review
There’s little actual horror in Robert Eggers’ directorial debut – at least not in the sense the genre has come to rely on in recent years. There are no jump scares, manufactured shock moments, gratuitous gore or sadistic violence. Instead, Eggers has woven a compellingly chilling dark New England fable from actual transcripts, reports and … Continue reading The Witch (2016) Review
“Vampire Academy” is something of a pioneer in the oversaturated young adult adaptation field. Using nothing but a derivative rag bag assortment of tropes and gimmicks from other, better works, it manages to achieve a near-perfect awfulness that almost guarantees it a picture in the dictionary next to the definition of ‘nadir’. Based on the … Continue reading Vampire Academy (2014) Review