Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face…

Fantastic Beasts: The Crimes Of Grindelwald (2018) Review

There’s a touch of vanity to the new Wizarding World logo which follows the Warner Bros shield at the start of “Fantastic Beasts: The Crimes Of Gindelwald”, equal in hubris if not in ironic overconfidence to the unveiling (and shuttering) of Universal’s Dark Universe at the star of “The Mummy”. The mission is clear: expand…

Overlord (2018) Review

In the build-up to D-Day, Private Boyce (Jovan Adepo) and Corporal Ford (Wyatt Russell) believe they’re the only survivors of an ill-fated paratrooper mission behind enemy lines to knock out a radar jamming post so the Allies can provide air support for the beach landings. They eventually meet up with a few more survivors of…

Goodbye Christopher Robin (2017) Review

With something as pure and innocent as the adventures of Winnie The Pooh, you’d be forgiven for thinking the story of their creation would be equally as heart-warming and uplifting. But, as Simon Curtis’ absorbing biopic reveals, the truth is anything but. “Goodbye Christopher Robin” tells the true-life story of how one of the world’s…

Darkest Hour (2018) Review

A British icon. A pivotal moment in history. A desperate race against time. “Darkest Hour” sheds some light on the earliest days of Winston Churchill’s premiership as Europe faced annihilation by the Nazi horde and the British political establishment teetered on the brink of self-destruction. This is no dry history lesson, though, thanks to a…