Gordon Gekko lied to us. Greed (2020) is not good.

Michael Winterbottom’s unfortunately unfocussed polemic takes a swipe at the lifestyles of the rich and the shameless, or maybe at the grotesque exploitation underpinning the ‘fast fashion’ industry or perhaps at the financial chicanery that underwrites those big blockbuster boardroom deals you read about in the Metro while on your commute or even the humanitarian…

The Personal History Of David Copperfield (2020) is a dazzling Dickensian delight.

Colourful, captivating and preposterously delightful, Armando Iannucci’s free-spirited adaptation of the Dickens novel brings a vibrant contemporary energy to the classic metronomic rags to riches to rags to riches tale. Chronicling his turbulent upbringing, the film begins with a quintessentially Dickensian framing device as David Copperfield (Dev Patel) narrates his own life story to a…

War is hell but 1917 (2020) is heavenly film making

Astonishingly, breathtakingly, technically brilliant, “1917” is a mesmerising, masterful achievement in the art and technique of cinema. But this is no cold, Zemeckis-like exercise in technological advancement and instead uses its relentless focus and visceral real-time storytelling to relay the human tragedy of warfare at its most grandiose and grotesque folly. April 1917: The German…

Netflix’s The Two Popes (2019) explores the fallibility of the infallible.

It would seem to be something of a contradiction in terms to deliver a warm and whimsical drama about the leadership of the Catholic Church during some of its most tumultuous years but that’s exactly what Fernando Meirelles’ gently absorbing chronicle of this archly ceremonial game of Papal thrones. Essentially a biographical film tracing the…