Baby Driver (2017) is high on its own exhaust fumes, but so will you be.

There’s a refreshing swagger to Edgar Wright’s latest creation, drifting on to the screen with irresistibly brash confidence, popping the clutch, downshifting the gears and roaring past the sluggish, lumbering summer blockbuster behemoths. Sure, “Baby Driver” could have a smug-off with Ben Wheatley’s “Free Fire”, but “Baby Driver” ultimately earns its sense of self-satisfaction. Baby…