Artemis Fowl (2020) ducks its obligations and gives fans of the books the bird.

First published in 2001, Eoin Colfer’s action-fantasy series of adventures centring around tweenage criminal mastermind Artemis Fowl (Jr) may at first glance appear to be little more than an attempt to cash-in on the then white-hot and unquestioned success of J K Rowling’s “Harry Potter” series but in reality the books hewed much closer to…

Double Date (2017) #MonthOfSpooks Review

British comedy horror is a bit of a dicey prospect at the best of times. For every “Shaun Of The Dead” there are a dozen “Lesbian Vampire Slayers”, so when “Double Date” popped up on the old Sky Q box, I was wary but willing. Jim (Danny Morgan) is about to turn thirty and his…

Patrick (2018) Review

“Patrick”, a featherweight new British comedy from the director of “Absolutely Fabulous: The Movie” is so smug that it might as well be subtitled ‘First World Problems: The Movie’.  It’s a mercy, then, that it’s so utterly oblivious to its own sense of self-satisfied privilege and so very, very bland that it’s hard to summon…

Tomb Raider (2018) Review

There is a criminal offence on the UK statute books, specifically section 35 of the Offences against the Person Act 1861 (subsequently amended by section 1(2) of the Criminal Justice Act 1948) which reads: ‘Whosoever, having the charge of any carriage or vehicle, shall by wanton or furious driving or racing, or other wilful misconduct, or…

Murder On The Orient Express (2017) Review

Offering first class accommodation, stunning views and a fine selection of a la carte thespian talent, Kenneth Branagh’s elegant and stylish remake of Christie’s famous novel is far more than a mere replacement cast service for the lauded 1974 ‘original’. Exhausted from work and ever so slightly jaded, celebrated Belgian detective Hercule Poirot is looking…