There’s no puzzle to what gives Labyrinth (1986) its magic.

Published as part of Realweegiemidget’s Pop Stars Moonlighting Blogathon 2020. There’s an immutability to the best of Jim Henson’s work and it’s that sense of timelessness that marks “Labyrinth” out as one of the finest classics of his astonishingly rich legacy. While many of Henson’s frequent collaborators – George Lucas, Frank Oz – were involved…

I’m all in for Knives Out (2019)

Part Agatha Christie homage, part reimagining of “Clue” with just a pinch of “Murder By Death”, Rian Johnson’s latest murder mystery film is as wittily subversive as you might expect and while it’s no gamechanger it’s still a welcome injection of honest to goodness fun into the ponderous, stultifying multiplexes of late 2019. When the…

Star Wars: The Last Jedi (2017) Dark Side Review

*SPOILERS* There has been an awakening. Have you felt it? There is a stirring of fears, long thought extinct. Fears that “Star Wars” could once again fall to the dark side. Fears that may lead to anger. After you saw it, how did you feel? Darkness? Light? A balance? It’s so much bigger and so…

Star Wars: The Last Jedi (2017) Light Side Review

It was a curious feeling, as I sat in my seat willing the adverts and trailers to hurry up and finish, to realise that – despite the huge presence “Star Wars” has had in my life – this would only be the eighth time in my entire life that I would be reading a brand…

In & Out (1997) Review

Frank Oz’ 1997 romantic comedy “In & Out” is a bit of a curiosity, simultaneously ahead of and firmly of its time. A frothy, light-hearted comedy about homosexuality and coming out was a bold move then but now…well, now it’s hard to see it being made at all. When Midwestern high school teacher Howard Brackett…