Guy Ritchie’s The Gentlemen (2020) is the real live action lion king.

Having been plying his trade in more family-friendly fare – including last year’s surprise smash “Aladdin” – “The Gentlemen” sees Guy Ritchie returning to his old stomping ground, although there’s perhaps more than a little hint of autobiography in this tale of a self-styled king of his domain contemplating letting it all go and moving…

Last Christmas (2019)’s heart is in the right place, but it still flatlines.

Based on the most Dad-joke reading possible of the first two lines of the Wham! song “Last Christmas”, Paul Feig’s slight rom-com wears its genre clichés on its sleeve and uses copious fairy lights and tinsel to distract from its threadbare plot. Kate (Emilia Clarke) is a cynical, self-destructive Christmas shop worker, estranged from her…

A Simple Favour (2018) Review

From the opening strains of Jean Paul Keller’s “Ca S’est Arrange”, you can practically feel Paul Feig donning on a black turtleneck and slipping into auteurship with a mischievous sense of insouciance. He’s in playful mood indeed as he indulges his inner Hitchcock even as he can’t quite resist giving in to his quirky comedic…

Crazy Rich Asians (2018) Review

“Crazy Rich Asians” may open with some awful British racism, but it’s an effective shorthand way of introducing fearsome matriarch Eleanor Young (Michelle Yeo) and putting us firmly in the Young family’s corner. And it’s a necessary step too because we’re about to embark on a visually lavish exploration of the trials and tribulations of…