Guy Ritchie’s The Gentlemen (2020) is the real live action lion king.

Having been plying his trade in more family-friendly fare – including last year’s surprise smash “Aladdin” – “The Gentlemen” sees Guy Ritchie returning to his old stomping ground, although there’s perhaps more than a little hint of autobiography in this tale of a self-styled king of his domain contemplating letting it all go and moving…

The 5th Annual Craggus Movie Awards

2017 continued the previous year’s trend towards ever more polarised reactions to movies. With little room anymore for a ‘middle ground’, movies were either hailed as redefining triumphs or excoriated as blasphemy. Generally, I think I saw more great movies in 2017 than in 2016 but the average score across the 116 new releases I…

Paddington 2 (2017) Review

With the original having been an unexpected delight, anticipation for “Paddington 2” was sky high. Could the little bear from Peru pull off the ‘difficult’ second movie? The answer is an unqualified ‘yes’. Determined to get his Aunt Lucy a special present for her 100th birthday, Paddington (Ben Wishaw) sets his heart on a unique…

Craggus’ Christmas Countdown Day 12: Love Actually (2003)

Richard Curtis’ “Love Actually” is often misunderstood as an ensemble romantic comedy, intertwining numerous criss-crossing plots in the run up to Christmas. It is, in fact, an avante garde adaptation of a grand British Christmas institution: “Love Actually” is the cinematic adaptation of a tin of Cadbury’s Roses (or Quality Street if you prefer, but…

Cloud Atlas (2012) Review

It’s taken me a bit of reflection to gather my thoughts on “Cloud Atlas”. I found the first five minutes baffling, then it was intriguing and, ultimately, mesmerising. At a sprawling 2 3/4 hours, it’s not for the faint-hearted or fidgety-bottomed but it’s a richly rewarding experience. It weaves a number of deceptively complex intertwined…