Ari Aster’s Swedish folk horror Midsommar (2019) combines the existential terror of a trip to IKEA with the crushing tedium of a trip to IKEA

In following up on “Hereditary”, Ari Aster’s sophomore effort “Midsommer” was almost predestined to become the latest yardstick by which that most rarefied strata of cinephiles would embrace to prove their bona fides. A pity, then that he has delivered a glacial two-and-a-half-hour Instagram filter with ill-founded pretentions of psychological profundity. A group of friends…

Detroit (2017) is a timely, powerful but ultimately hollow experience. #Review

With serendipitous timing and real world resonance that borders on opportunistic, “Detroit” arrives in cinemas to emphasise the perilous nature of present day America and it’s far too recent shameful past. Detroit, 1967. The city is in the grip of growing discontent which is spilling over into racially-charged rioting driven by large scale disaffection and…

Free Fire (2017) Review

Released tomorrow, Ben Wheatley’s follow-up to his adaptation of “High Rise” is a quirky slice of lowlife set in the gun running ganglands of 1970s Boston. With its tongue firmly in cheek and a bullet in the chamber, it’s a breezy and bonkers film which owes a great deal to the works of Quentin Tarantino….

Macbeth (2015) is definitely bloody, bold and resolute.

Justin Kurzel’s “Macbeth” is anything but a tale told by an idiot as he brings Shakespeare’s dark fable of ambition, paranoia and madness to the screen full of sound and fury. With Scotland wracked by civil war, loyal general Macbeth leads the King’s forces in a final, decisive battle against the traitors. With the battle…