Glass (2019) sets out to shatter the superhero paradigm.

*SPOILERS* Closer in tone and intent to “Unbreakable” than its immediate predecessor “Split”, “Glass” sees filmmaker M Night Shyamalan returning to the world of comic book super heroics, not to homage or reimagine them, but to deconstruct them –  especially their latest cinematic incarnations. With The Beast/ The Horde/ Kevin Wendell Crumb (McAvoy) still on…

Deadpool 2 (2018) Review

Although I’m a little disappointed that they didn’t just stick with “Untitled Deadpool Sequel” as the official title, “Deadpool 2” brings the Merc with the mouth back, and he’s bolder than ever as he looks to avoid the pitfalls of the ‘difficult second album’. When Wade Wilson (Ryan Reynolds)’s cavalier attitude ends up costing him…

Sherlock Gnomes (2018) Review

Following in the footsteps of the Man Of Steel and Captain America, Gnomeo and Juliet become the latest characters to have their sequel hijacked by a bunch of different characters as the franchise tries to position itself as a vehicle to reimagine classic British literature, a sort of anthology of garden toy stories. When garden…

The 5th Annual Craggus Movie Awards

2017 continued the previous year’s trend towards ever more polarised reactions to movies. With little room anymore for a ‘middle ground’, movies were either hailed as redefining triumphs or excoriated as blasphemy. Generally, I think I saw more great movies in 2017 than in 2016 but the average score across the 116 new releases I…

Atomic Blonde (2017) Review

Edgy, brutal and achingly stylish, Charlize Theron’s “Atomic Blonde” should be enough to scare the living daylights out of the Bond producers as they continue to pull together the follow-up to SPECTRE. In cold war 1989 Berlin, in the days leading up to the fall of the wall, a British agent is killed after retrieving…