Luc Besson’s lacklustre spy thriller Anna (2019) offers little more than a vanilla Villanelle knockoff

Anna Review

Although it opens like “America’s Next Top Model: The Movie”, Luc Besson’s latest action-fest plays out more like a poor carbon copy of last year’s “Red Sparrow”. It’s certainly more fun than “Red Sparrow”, but that’s not a particularly high bar to clear. Anna (Sasha Luss) is a KGB honey trap agent working in Paris … Continue reading Luc Besson’s lacklustre spy thriller Anna (2019) offers little more than a vanilla Villanelle knockoff

The law may be an ass, but The Mule (2019) is a real donkey.

It’s someone disingenuous for something this uninspired to proclaim it's ‘inspired by a true story’ but that doesn’t seem to discourage notorious empty chair haranguer Clint Eastwood from making a film for reactionary old men who like to yell at clouds. It’s a wannabe “Sicario – The Greatest Generation”, or the demographic antithesis of “Black … Continue reading The law may be an ass, but The Mule (2019) is a real donkey.

The Front Runner (2019) stumbles right out of the gate.

Jason Reitman’s dull but dutiful checkbox biopic rakes over the long-dead ashes of the run-up to the 1988 US Presidential election but fails to find anything to really say beyond a milquetoast critique of the current personality politics which dominates American public life. Charting the rise and fall of charismatic Colorado Senator Gary Hart (Hugh … Continue reading The Front Runner (2019) stumbles right out of the gate.

Assassination Nation (2018) Review

A screeching, graphic howl of incendiary exasperation, “Assassination Nation” adds its voice to the growing chorus of furious condemnation of a society dominated by toxic masculinity, religious hypocrisy and venal depravity overseen by the ever-present spectre of a pussy-grabbing enabler-in-chief, showing in no uncertain terms what will happen when pussy grabs back. The town of … Continue reading Assassination Nation (2018) Review

A Simple Favour (2018) Review

From the opening strains of Jean Paul Keller’s “Ca S'est Arrange”, you can practically feel Paul Feig donning on a black turtleneck and slipping into auteurship with a mischievous sense of insouciance. He’s in playful mood indeed as he indulges his inner Hitchcock even as he can’t quite resist giving in to his quirky comedic … Continue reading A Simple Favour (2018) Review