Across The View Askewniverse: Jay And Silent Bob Reboot (2019) Review

There’s little point in denying that “Jay And Silent Bob Reboot” is Smith’s most self-referential work to date. If “Jay And Silent Bob Strike Back” was Smith’s first greatest hits album, this is the remastered re-release with all the old hits and a few tracks from the more recent releases, wrapped up in deliberately nostalgic…

Across The View Askewniverse: Yoga Hosers (2016) Review

The general consensus appears to be that “Yoga Hosers” is the point at which Kevin Smith irrevocably jumped his own proverbial shark but, for me, it’s the point at which he fully actualised as an artist, having no fucks left to give in pursuit of bringing his unique vision to the screen. Now, if that…

Across The View Askewniverse: Tusk (2014) Review

Having entered a new phase of defiantly independent filmmaking, Smith followed up “Red State” with a bolder step into horror with an off-the-wall body horror that feels as much Cronenberg – and even Lars Von Trier – as it does Kevin Smith and while it pushes further into pure horror than his previous film, it’s…

Across The View Askewniverse: Zack And Miri Make A Porno (2008) Review

Having returned to his ‘homeworld’ of the New Jersey Quick Stop to refresh himself, Smith set course once more for mainstream success – a success that once again would elude him for deeply unfair reasons. The deliberately provocative title and raunchy subject matter ended up overshadowing a movie which delivers not only a sweet romantic…

Across The View Askewniverse: Clerks II (2006) Review

Paraphrasing French poet Paul Valéry, George Lucas once said ‘films are never completed, they are only abandoned’ (which he said before going back and making said films wish they had been abandoned) but the same must hold true for film universes because, five years after “Jay And Silent Bob Strike Back” figuratively and literally closed…