Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face … Continue reading Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Peter Rabbit (2018) Review

Sony have been responsible for many of the most egregious reboots and reimaginings of recent years and while “Jumanji: Welcome To The Jungle” spectacularly bucked the studio’s trend, this loose and cynical adaptation of Beatrix Potter sees them back to their tawdry, inept usual. It’s hard to think of any other film that’s so woefully … Continue reading Peter Rabbit (2018) Review

Red Sparrow (2018) Review

Disney and Marvel can at least rest easy: “Red Sparrow” certainly isn’t the “Black Widow” solo movie by another name its marketing might have initially suggested. Instead, it’s something of a convoluted pseudo- John le Carré caper which leans heavily on sex, nudity and violence to disguise its flimsy characters and overcomplicated espionage shell game. … Continue reading Red Sparrow (2018) Review

Murder On The Orient Express (2017) Review

Offering first class accommodation, stunning views and a fine selection of a la carte thespian talent, Kenneth Branagh’s elegant and stylish remake of Christie’s famous novel is far more than a mere replacement cast service for the lauded 1974 ‘original’. Exhausted from work and ever so slightly jaded, celebrated Belgian detective Hercule Poirot is looking … Continue reading Murder On The Orient Express (2017) Review