Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face … Continue reading Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Fantastic Beasts: The Crimes Of Grindelwald (2018) Review

There’s a touch of vanity to the new Wizarding World logo which follows the Warner Bros shield at the start of “Fantastic Beasts: The Crimes Of Gindelwald”, equal in hubris if not in ironic overconfidence to the unveiling (and shuttering) of Universal’s Dark Universe at the star of “The Mummy”. The mission is clear: expand … Continue reading Fantastic Beasts: The Crimes Of Grindelwald (2018) Review

Bohemian Rhapsody (2018) Review

You may be expecting a story of the notorious Singer whose controversial behaviour and alleged sexual predilections and hedonistic bacchanalia have become the stuff of rumour and innuendo legend, but we’re not here to talk about the Director, we’re here to find out what the movie is like. A rambunctious, mischievous and unexpectedly moving celebration … Continue reading Bohemian Rhapsody (2018) Review

Ex Machina (2015) Review

Cinema‘s fascination with the concept of the technological singularity shows no sign of abating, with recent entries ranging from the sublime (“Her”) to the ridiculous (“Transcendence”). But despite the crowded field, Alex Garland’s directorial debut manages to find something new and disquieting to say about it in this stylish and well-crafted thriller. When young coder … Continue reading Ex Machina (2015) Review