Atomic Blonde (2017) Review

Edgy, brutal and achingly stylish, Charlize Theron’s “Atomic Blonde” should be enough to scare the living daylights out of the Bond producers as they continue to pull together the follow-up to SPECTRE. In cold war 1989 Berlin, in the days leading up to the fall of the wall, a British agent is killed after retrieving…

Valerian And The City Of A Thousand Planets (2017) Review

Luc Besson’s Space Oddity opens with a suitably inspirational opening as the story of Alpha (the eponymous City Of A Thousand Planets) is told through an evolutionary montage which nods to both Kubrick and Zemeckis. En route to Alpha to begin his next mission, Agent Valerian (Dane DeHaan) experiences a vision of the destruction of…

Cars (2006) Review

For a studio which prides itself on its dedication to story crafting and world building, “Cars” is a curious beast. The world it presents and the way it presents it simply doesn’t make sense. Reportedly a passion project for keen petrol head and Pixar chief John Lasseter, it comes across as more of a vanity…

About The Last Knight (2017)… Transformers 5 Review

Have you checked your kitchen recently? Chances are the sink might be missing, stolen by Michael Bay to throw into his latest robots-in-disguise extravaganza “Transformers: The Last Knight”. It’s no secret that Paramount Pictures have assembled a writer’s room to spin their Hasbro franchise into an expansive shared universe but “The Last Knight” suggests they…

Kong: Skull Island (2017) Review

In an age of shared blockbuster universes which take themselves terribly seriously, “Kong: Skull Island” is a breezy and brazen breath of fresh air. Preposterous in its premise, it’s not afraid to embrace its silliness and, as a result, is more fun than any of its Hollywood kaiju predecessors. In the early 1970’s, an expedition…

Patriot’s Day (2017) Review

It’s been less than four years since the Boston Marathon Bombings and I went into “Patriot’s Day” wondering what the film, made so soon after the saturation news coverage, hoped to achieve. Director Peter Berg, of course, is no stranger when it comes to adapting true life events and, after an awkward opening, he manages…