Across The View Askewniverse: Jay And Silent Bob Reboot (2019) Review

There’s little point in denying that “Jay And Silent Bob Reboot” is Smith’s most self-referential work to date. If “Jay And Silent Bob Strike Back” was Smith’s first greatest hits album, this is the remastered re-release with all the old hits and a few tracks from the more recent releases, wrapped up in deliberately nostalgic…

Across The View Askewniverse: Yoga Hosers (2016) Review

The general consensus appears to be that “Yoga Hosers” is the point at which Kevin Smith irrevocably jumped his own proverbial shark but, for me, it’s the point at which he fully actualised as an artist, having no fucks left to give in pursuit of bringing his unique vision to the screen. Now, if that…

Across The View Askewniverse: Tusk (2014) Review

Having entered a new phase of defiantly independent filmmaking, Smith followed up “Red State” with a bolder step into horror with an off-the-wall body horror that feels as much Cronenberg – and even Lars Von Trier – as it does Kevin Smith and while it pushes further into pure horror than his previous film, it’s…

Across The View Askewniverse: Red State (2011) Review

A year after “Cop Out”, Smith returned to the big screen with a deliberately pared-down, low budget production, something very new for him and potentially very jarring for his fans – a deliberately nasty and bleak horror movie as Smith turns his thoughts to those whose faith takes their beliefs to dangerous extremes. Amusingly, it…

Across The View Askewniverse: Cop Out (2010) Review

In retrospect, “Cop Out” can be seen as a pivotal and hugely influential film in Smith’s directing career. Easily his unhappiest production, and most underwhelming end product, the fact that it remains his highest-grossing movie to date provoked a significant change in Smith as a filmmaker – a change for the better. But before we…