Sorry To Bother You (2018) Review

Boots Riley’s absurdist, pitch-black satire may just end up becoming one of the most important and resonant films of our time. Not because its concerned particularly with the topical venality of Trumpism and the ongoing corruption of western political discourse but because it looks beyond these deplorable but ultimately transient phases at the bigger societal…

Mamma Mia! Here We Go Again (2018) Review

*SPOILER WARNING* Donna is dead to begin with. As dead as a doornail. It’s just one of the many, many ways this sequel unpicks all the happy endings of the first movie to cynically give itself a reason to exist. Preparing for the grand opening of the Hotel Bella Donna, Sophie (Amanda Seyfried) is working…

The Guernsey Literary And Potato Peel Pie Society (2018) Review

If you’re not one for the intergalactic cataclysms of “Avengers: Infinity War”, then you might find your local multiplex a fairly unwelcoming place this coming week. But, amidst the plethora of showings of, admittedly, one of the best films of the year so far, if you look carefully you might just uncover this cunningly counter-programmed…

Darkest Hour (2018) Review

A British icon. A pivotal moment in history. A desperate race against time. “Darkest Hour” sheds some light on the earliest days of Winston Churchill’s premiership as Europe faced annihilation by the Nazi horde and the British political establishment teetered on the brink of self-destruction. This is no dry history lesson, though, thanks to a…

Baby Driver (2017) Review

There’s a refreshing swagger to Edgar Wright’s latest creation, drifting on to the screen with an irresistibly brash confidence, popping the clutch, downshifting the gears and roaring past the sluggish, lumbering summer blockbuster behemoths. Sure, “Baby Driver” could have a smug-off with Ben Wheatley’s “Free Fire”, but “Baby Driver” ultimately deserves its sense of self-satisfaction….