Argento’s Dracula 3D (2012) Dractober Review

What better way to close out #Dractober than with a brand new interpretation of the legend of Bram Stoker’s celebrated vampire from the visionary director of “Suspiria”? Well, as it turns out, probably quite a few things. During the Walpurgis Night celebrations in the Carpathian village of Passo Borgo, a young couple sneak off into…

The Batman vs Dracula (2005) Dractober Review

“The Batman” is one animated incarnation of Batman which passed me by, but he seems to have been the only one I can find who tangled with the Prince Of Darkness himself. Walking a slightly darker path than the more kid-friendly TV series did, this feature-length direct-to-DVD spin-off features not only the title combatants but…

Van Helsing (2004) Dractober Review

Universal have been trying to resurrect their Dark Universe for a lot longer than you may think. Back in 2004, emboldened by the quick one-two hits of “The Mummy” and “The Mummy Returns”, they decided to give director Stephen Sommers the whole Universal Monster toy box. Unfortunately, what he came up with was a textbook…

Wes Craven Presents: Dracula 2000 (2001) Dractober Review

A reimagining before reimaginings were ‘cool’, “Dracula 2000” – released a mere nine days before the end of the year 2000 in America and therefore in 2001 everywhere else brings the myth of Dracula into the modern millennial age, without a smashed avocado or deconstructed cold-brew oat-milk latte in sight. When a group of thieves…

Shadow Of The Vampire (2000) Dractober Review

A blackly comic metafictional account of the making of “Nosferatu”, positing the idea that F W Murnau was prepared to go to any lengths in order to capture his masterwork, even turning a blind eye to the real-life vampire he has found to ‘play’ Count Orlok. Supported by a great performance from John Malkovich as…

Dracula: Dead And Loving It (1995) Dractober Review

It may open with a Hammer-esque galloping horse and carriage but this Mel Brooks spoof has the whole Dracula oeuvre in its sights. From Lugosi to Coppola, Brooks and his co-writers leave no coffin unopened in the search for gags. A pity, then, that they found so few. When Renfield (a wildly overacting Peter MacNicol)…