Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face…

Nativity Rocks! (2018) Review

Opening with a somewhat harrowing sequence showing the arrival and separation of a father and son pair of illegal immigrants – unhinted at by the happy-clappy trailers – “Nativity Rocks!” quickly settles down into the twee, ramshackle charm of a school nativity play given big-screen licence we’ve come to expect from the franchise. While the…

Fantastic Beasts: The Crimes Of Grindelwald (2018) Review

There’s a touch of vanity to the new Wizarding World logo which follows the Warner Bros shield at the start of “Fantastic Beasts: The Crimes Of Gindelwald”, equal in hubris if not in ironic overconfidence to the unveiling (and shuttering) of Universal’s Dark Universe at the star of “The Mummy”. The mission is clear: expand…

Johnny English Strikes Again (2018) Review

Like the banshee of the Bond franchise, appearing whenever that storied franchise finds itself mired in a creative or legal quagmire, Johnny English is back, summoned no doubt but the ongoing dithering over Bond 25. After a cyber-attack exposes the identities of all of the active undercover British agents, MI7 is forced to turn to…