Fantastic Beasts: The Crimes Of Grindelwald (2018) Review

There’s a touch of vanity to the new Wizarding World logo which follows the Warner Bros shield at the start of “Fantastic Beasts: The Crimes Of Gindelwald”, equal in hubris if not in ironic overconfidence to the unveiling (and shuttering) of Universal’s Dark Universe at the star of “The Mummy”. The mission is clear: expand…

Mission: Impossible – Fallout (2018) Review

The unstoppable Tom Cruise, Movie StarTM is back in 2018’s best action movie bar none. “Fallout” completes a “Fast & Furious”-style transformation of the franchise and leaves its famously diminutive leading man head and shoulders above the rest of the action competition. When a mission to recover three stolen uranium cores is interrupted by the…

13 November: Attack On Paris Review

On November 13th 2015, ISIL orchestrated a multi-cell attack using a variety of methods that ended the lives of 130 people in the space of a few hours. With support from the French government, mobile phone footage from witnesses and interviews with survivors and first responders, this three-part Netflix documentary (in French with English subtitles)…

Wonder Woman (2017) Review

It’s hard to remember a movie making its debut under such pressure as “Wonder Woman”. Not just the pressure of expectations for a new superhero movie debut but also the white hot crucible of gender politics, unfair financial expectations and the absolute last-chance saloon necessity to salvage the DCEU from its own self-inflicted tailspin. With…

Bastille Day (2016) Review

Ever since Daniel Craig’s less than effusive publicity tour for “SPECTRE”, speculation has been rife as to who the next Bond will be. The pretenders to the throne have likewise wasted no time in setting out their stalls with ‘auditions’ of their own. Runner up to the role last time Henry Cavill gave us a…

The Danish Girl (2016) Review

Adapted from David Ebershoff’s 2000 novel, “The Danish Girl” brings us a fictionalised account of the life of Lili Elbe, one of the first people in the world to undergo gender reassignment surgery. The film, like its source novel, is much less an exploration of the prejudices and societal attitude towards sexuality and transgender issues…