All The Money In The World (2018) Review

It’s been almost impossible to avoid the publicity surrounding Ridley Scott’s polished-to-a-dull-sheen biographical crime drama “All The Money In The World” thanks to the scandal which engulfed its would-be star after allegations of his sexual predation came to light and Scott’s swift decision to excise the actor from the movie and reshoot all of his…

Murder On The Orient Express (2017) Review

Offering first class accommodation, stunning views and a fine selection of a la carte thespian talent, Kenneth Branagh’s elegant and stylish remake of Christie’s famous novel is far more than a mere replacement cast service for the lauded 1974 ‘original’. Exhausted from work and ever so slightly jaded, celebrated Belgian detective Hercule Poirot is looking…

Blade Runner 2049 (2017) Review

With the exception of perhaps “Star Wars: The Force Awakens”, has there ever been a (belated) sequel which arrived under so much pressure of expectation as “Blade Runner 2049”? Picking up the baton from Ridley Scott’s lionised 1982 sci-fi noir, visionary director Denis Villeneuve leaps us further into the chillingly realistic dystopian future. Following the…

Blade Runner (1982) #Review

Back in the early eighties, giddy on “Star Wars”, I’d picked up my visual scanning for any other movies which starred my favourite heroes. “Hanover Street” cruelly tricked me – I mean, it had “Han” in the title and starred Harrison Ford so it must be great right? Not for this 8-year-old “Star Wars” fan….

Mindhorn (2017) Review

While Hollywood occupies itself with pillaging and rebooting the classic TV of the seventies, eighties and nineties, Julian Barrett (“The Mighty Boosh”) and Simon Farnaby (“Horrible Histories”, “Rogue One”) satirise both both originals and retreads by faithfully homaging a completely fictitious TV show: “Mindhorn”. Richard Thorncroft (Barrett) is a washed-up, has-been British TV actor. At…

Alien: Covenant (2017) Review

Do you think that somewhere, there’s a Twentieth Century Fox Executive kicking himself for not just giving Ridley Scott the money he wanted to make a sci-fi movie about the origin of intelligent life and the concept of meeting one’s creator? Maybe then we wouldn’t be here now, watching him tank the “Alien” franchise into…