I’m all in for Knives Out (2019)

Part Agatha Christie homage, part reimagining of “Clue” with just a pinch of “Murder By Death”, Rian Johnson’s latest murder mystery film is as wittily subversive as you might expect and while it’s no gamechanger it’s still a welcome injection of honest to goodness fun into the ponderous, stultifying multiplexes of late 2019. When the…

The Equalizer 2 (2018) Review

I’m enough of a fan of the original TV show “The Equalizer” to wish Antoine Fuqua had found a way to incorporate Stewart Copeland’s superb synth-driven theme tune into this modern reinterpretation. But my favourite part of the TV series was always the helping out of ‘the little guy’ rather than the bigger, over-arching spycraft…

Detroit (2017) Review

With serendipitous timing and real world resonance that borders on opportunistic, “Detroit” arrives in cinemas to emphasise the perilous nature of present day America and it’s far too recent shameful past. Detroit, 1967. The city is in the grip of growing discontent which is spilling over into racially-charged rioting driven by large scale disaffection and…

Patriot’s Day (2017) Review

It’s been less than four years since the Boston Marathon Bombings and I went into “Patriot’s Day” wondering what the film, made so soon after the saturation news coverage, hoped to achieve. Director Peter Berg, of course, is no stranger when it comes to adapting true life events and, after an awkward opening, he manages…