Yorgos Lanthimos brings a sense of Blackadder to the big screen in sumptuous art house comedy The Favourite (2019)

Move over Bess (and, I suspect, pre-emptive apologies to Margot Robbie) there’s a new award-baiting Queen on the block: oft-overlooked 18th Century sovereign Queen Anne. England, 1708. A frail Queen Anne (Olivia Coleman) occupies the throne, disinterested in matters of state and instead consumed by her various ailments and an ongoing quest for distraction and … Continue reading Yorgos Lanthimos brings a sense of Blackadder to the big screen in sumptuous art house comedy The Favourite (2019)

Widows (2018) Review

With the pedigree of talent behind and in front of the camera, you’d be forgiven for expecting “Widows” to be something very special. And you’d be right, too. Director Steve McQueen, sharing screenwriting duties with Gillian Flynn (“Gone Girl”) in adapting a 1983 British TV series by Lynda La Plante, creates a polished, compellingly multi-layered … Continue reading Widows (2018) Review

You Were Never Really Here (2018) Review

Provocative, dark, disturbing and brutally violent, “You Were Never Really Here” envelops you in the dissociated world of Joe, a traumatized veteran who tracks down missing children for a living. When a routine job spirals out of control, Joe finds himself caught up in a conspiracy of violence and murder, spinning out of control and … Continue reading You Were Never Really Here (2018) Review

Three Billboards Outside Ebbing, Missouri (2018) Review

Imagine a world where nothing and nobody adheres to a neatly binary system of good and bad and life is messy and compromised. It’s this real world untidiness which lies at the beating heart of “Three Billboards Outside Ebbing, Missouri”, Martin McDonagh’s brash, darkly funny and often shocking fable of small-town disenfranchised American life. Frustrated … Continue reading Three Billboards Outside Ebbing, Missouri (2018) Review