Artemis Fowl (2020) ducks its obligations and gives fans of the books the bird.

First published in 2001, Eoin Colfer’s action-fantasy series of adventures centring around tweenage criminal mastermind Artemis Fowl (Jr) may at first glance appear to be little more than an attempt to cash-in on the then white-hot and unquestioned success of J K Rowling’s “Harry Potter” series but in reality the books hewed much closer to…

Last Christmas (2019)’s heart is in the right place, but it still flatlines.

Based on the most Dad-joke reading possible of the first two lines of the Wham! song “Last Christmas”, Paul Feig’s slight rom-com wears its genre clichés on its sleeve and uses copious fairy lights and tinsel to distract from its threadbare plot. Kate (Emilia Clarke) is a cynical, self-destructive Christmas shop worker, estranged from her…

After the epic and emotional Endgame, Marvel lightens the mood with N̶a̶t̶i̶o̶n̶a̶l̶ ̶L̶a̶m̶p̶o̶o̶n̶’̶s̶ Spider-Man’s European Vacation. Spider-Man: Far From Home (2019) Review

There’s a prominent poster in the support group scene in “Avengers: Endgame” which poses the question: ‘Where Do We Go Now That They’re Gone?’ and in many ways, that’s the exact question Peter Parker is wrestling with in “Spider-Man: Far From Home”. As he struggles to come to terms with the loss of his mentor…

Mary Poppins Returns (2018) is an exercise in Lucasian poetry

Assembled more like one of Disney’s current ‘live action’ adaptations of their animated back catalogue than a genuine sequel to the 1964 original, “Mary Poppins Returns” brings back cinema’s premiere Nanny to answer another Banks crisis. In Depression-era London, a now-grown Jane (Emily Mortimer) and Michael Banks (Ben Wishaw), along with Michael’s three children, face…