Mechanic: Resurrection should have stayed dead.
Rivalling “Suicide Squad” for the worst editing of 2016, “Mechanic: Resurrection” is a confused and underwhelming mix of lush location footage and studio-bound cut scenes that feel more “That Riviera Touch” than a modern action thriller. The pseudo-Bond exotic location hopping feels arbitrary and slapped together in service of a plot that promises much more than it can deliver.
When Arthur Bishop (Jason Statham) finds his idyllic exile threatened by his past, he is lured into a globe-spanning series of tasks in order to save the life of hostage.
The film starts brightly enough with a Rio-set kinetic action frenzy that almost promises to be the closest we’ll apparently ever get to another “Crank” but then immediately slams the brakes on for a Thailand-set interlude which brings Michelle Yeoh and Jessica Alba into the mix. While Yeoh plays an old friend of Bishop’s, Alba’s role is that of a plot device to push the turgid plot along and set up the disjointed ‘labours of Hercules’ style challenge.
The action – Brazil and the swimming pool scene from the trailer aside – is lazy and uninspired and despite the efforts of Statham (far from his best efforts, though) the film never really bursts into life. It just gets weirder when Tommy Lee ‘Anything And Everything For a Paycheque’ Jones turns up in a third act twist that’s barely a corner.
Boring, silly and occasionally unintentionally hilarious, “Mechanic: Resurrection” is a poor sequel to the 2011 actioner and one of the sloppiest films of the year.
